Current Exhibitions

2025 《洄瀾美展－叢生綻放》

展期｜2025.12.20（六）－  2026.02.08（日）

地點｜花蓮美術館

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《虎爺》計畫源於何郁琦2021年於花蓮慈恩藝術村駐村時期，聽聞阿美族巫師指稱機構內老虎水泥雕塑蘊含靈體的事件。此契機引發他對漢人民間信仰與阿美族靈觀交會的探究，並延伸至花東原住民族信仰在殖民與宗教滲透下被迫「隱藏」的歷史。

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《勝利之花》以夜間拍攝與煙火象徵外來力量對土地的衝擊，反思花蓮水泥動物、礦業輸出與殖民想像的連動。《三人成虎》工作坊則以阿美族巫師、耆老與藝術家共同創作，以老虎水泥雕塑為景深，同時回應 「拒絕成為歷史座標」的複本思考，片尾酬神戲延續儀式精神,將影像重返土地與神靈。作品以影像、儀式與調研交織，探問歷史如何書寫，並在沉默物件與夜色中尋找另一種觀看與敘事的可能。

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2025 《HUALIEN ART EXHIBITION－Blooming Diversity》

Duration｜2025.12.20（Sat.）－  2026.02.08（Sun.）

Venue｜Hualien Art Museum

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The Tiger God project was launched during the artist's residence at Hualien's Cien Art Village in 2021, when he heard from a Sikawasay (an Amis priest) that a concrete tiger figure in the institute was possessed by a soul. This experience has inspired her to explore the intersection of the Han people's folk beliefs and the Amis people's spiritual worldview, from which he further investigates the suppressed history of indigenous beliefs in Eastern Taiwan under colonial and religious persecution.

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The fireworks were shot at night, representing the impact of external forces on the land, providing a reflection on the connections among concrete animals, mining exports, and colonial imagination. The concrete tiger figures were jointly made by a Sikasaway, an elder, and the artist. The tiger figures were placed at the depth of the field, sending a message of "not becoming a historical landmark." The ritual opera at the end of the film embodies the ritual's spirit by returning the footage to the land and the gods. This piece incorporates footage, a ritual, investigation, and research, exploring the way to tell the history and other possibilities of viewing and narrating among silent objects and in the night.